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Acid King

III
Small Stone Records
Release: 6/21/2005

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Rated:


Review by:
Jason Warner

It's a small world in rock and roll. Acid King is a band from San Francisco that loves the low end sludge that is stoner rock. The band apparently lost their bassist, Guy Pinhas, and veteran rocker, Rafael Martinez stepped in to fill Guy's shoes on the bass. Rafa, as he is affectionately known, is the former guitarist for another great stoner rock band, Gammera. Well, as it turns out, another former member of Gammera, Scott Selfridge, now lives and plays in beautiful Salt Lake City, and I've played several shows with his various bands here in our fine city in the mountains. Anyway, small world.

When I first listened to Acid King's latest album, III, I thought I was listening to the greatest Black Sabbath influenced band ever. My opinion did not change after repeated listening, but then I went online looking for more info on the band. The singer, who I thought sounded an awful lot like early-Sabbath era Ozzy, is actually a female, and a very ballsy singing female at that. I found that Lori S. not only handles the vocals, but also the guitar work for Acid King, and that she formed the band back in 1993. Now I feel a little stupid even stating this in the public arena because now that I know it's a female singing, I can tell. But at first I was uncertain. I guess this is just another example of the gender bias of the music industry and our society in general. When we hear a blistering, fuzzed out sonic attack we don't necessarily think about that sound coming from an angry woman. I am here to tell you that Lori has given me reason to pause, and henceforth and forever I will know that a woman can rock just as hard, or harder than a man. III is Lori's proof.

"2 Wheel Nation" kicks off the album, and the thunder and fuzz don't let up for the next 45 minutes and seven tracks of ear drum assault. The songs are slow, riff-heavy, and powerful. "2 Wheel Nation" is my favorite track, but all the songs are good. The fuzz cannot accurately be described in words, it must be experienced. The bass is fuzzy, the guitar is fuzzy, the vocals are fuzzy, and the drums are biting.

This album is a must have for lovers of the stoner rock.



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