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Deadlock

Earth.Revolt
Lifeforce Records
Release: 6/28/2005

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Review by:
Sid Notsil

Deadlock is a recently formed German black metal band. This album, Earth.Revolt, is their most ambitious, most polished effort yet. Black metal, while having been around in Germany for quite a while now, is just starting to pick up steam here in the States. If Deadlock plays their cards right, they stand to be the best black metal band around since At The Gates.

Deadlock's Earth.Revolt is easily the best black metal album I've heard in years. Yes, including the recently released album, Nymphetamine, from the anti-successful (so much success it actually hurts the popularity with the original fan base) Cradle of Filth.

There are a few factors that take this album from merely 'okay' to great. It starts with a full string prelude on theme to the fantastic flagship song, "10,000 Generations in Blood," that carries on for eight minutes without dropping the ball. The drummer's double-bass work is charged full of passion, and the post-production mixer didn't over-blow it like so many other bands do. Included in the album is their take on a "Requiem for the Dead." Throughout the album is a woman vocalist who really adds good contrasting power, similar to the records of From Autumn To Ashes.

There exists, unfortunately, one notable flaw in all of this fantastic work. All of the songs are in English. What language they should be singing in works out to be a somewhat complicated marketing matter. Some people...marketers I suppose, believe in order to increase accessibility to an audience, the band should speak the language of the land. I believe this couldn't be any further from the truth. Singing in a different tongue brings with it all the mystery and foreign power that would be lost otherwise if the languages matched. One might argue they are using that very same tactic to appeal to German crowds. However, the stateside audience is the prize coveted by most record labels, and their Web site is in English, suggesting they are actively trying to grab Americans into the fold.

I think this band will become only better if they make the switch to songs in German. If you don't believe me, listen to the last song on the album, "Harmonic," and you tell me the writing hasn't suffered from translation. I'll guarantee you that song will sound a thousand times more interesting to Americans if sung in German. They don't even have to change the sub-par writing. This is the exact principle behind Rammstein's runaway success.



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