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3 Generations Walking

3 Generations Walking
Spiritual Life Music
Release: 03/11/2003

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Review by:
Akira

Taking the NYC House Scene to a studio doesn't seem to be a problem for Herman Pearl (a.k.a. Soy Sos) and Michael Lopez (a.k.a. MKL). Both men are known in the electronic and performance arenas as high-level musicians and producers. Their cover of Burning Spear's "Slavery Days" has been a favorite in the Body and Soul scene since 2001.

3 Generations Walking is a multi-cultural, loosely-bound collection of musicians (all but Lopez are involved in other bands/projects), led by Lopez and Pearl, who are taking music that generally lives in the club scene to a live format. The music recorded is sometimes simple and trance-y, sometimes dense and complex - the realm of the DJ playing multiple tracks at once over dual mixing stations. The thing is, these musicians are more than adept enough to hold it all down.

The Rhythm Section consists of a various who's who of live and studio performers quelled from Pittsburgh's finest and NYC's scenesters: Howard Alexander III on keys, Philip Gillespie on drums (yes, he IS related), George Jones on percussion (no, he is NOT related); with John Hall on Bass. Vocalists include Verve recording artist Claudia Acuna, Christiane D, Gary French, Saihou Njie, Zapology, and Bongo Asher.

Recorded at Pearl's Tuff Gong Studio, the producers leaned to a more traditional recording strategy. In the spirit of live performance, Soy Sos and MKL gave the performers no sheet music or solid direction, but more of a mood of what the song is and allowed each musician to feed off another, in a more traditional jazz-improvisational strategy.

All tracks are tastefully done and will have their own unique fans. Highlights of the album are diverse, as to be expected, and are frequently the tracks that lean heaviest on sticky bass, drums, and percussion - the more deep, dark, and lush ("Gainde," "Meditation"). Otherwise great are the up-tempo and Latin-esque "Love Always Love" and "Feed," the more reggae "Desparia" and the super-traditional smoky-jazz-lounge sound, "Mohawk."

3GW pushes (and basically erases) the boundaries that might exist between dub and deep house, jazz and reggae, and dance and soul, by creating healthy, blurred lines between the genres. It's a great idea and it is proven here to work well. While much of the album is as exciting as it is chill (maybe in the same vein of a more spiritual Jazzanova), it drags slightly at times.

The full band will be spreading their message around the US and Europe in 2003.



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