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Elefant

The Black Magic Show
Hollywood Records
Release: 4/18/2006

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Rated:


Review by:
Jonathan Shipley

Diego Garcia and his Elefant band mates have gotten it right with their sophomore effort, The Black Magic Show. Their debut release, Sunlight Makes Me Paranoid, was released in 2003 and played homage to the Cure and other 80s new wave greats. Their new album makes strides away from simply the copied and inspired-by fare of their first album (which was a fine effort and was well received by critics across the board, nevertheless). The Black Magic Show is a creation of their own. Certainly Garcia and the gang are still fascinated by 80s indie rock (like Morrissey, and, again, the album has Cure tinges), but they're developing their own sound, much like other new wave inspired acts have in the recent past, paying homage and yet cutting their own cloth, including groups like Franz Ferdinand, The Killers, and Bloc Party.

The reason for the band's development? Diego Garcia is oodles more sure of himself at the microphone, the lyrics are more thoughtful and culturally significant ("Lolita," of course, is based on the Nabakov book of the same title) and the band behind him have gotten tighter and tighter the three years since their first release. The hiatus away from the studio (they've been heavily touring since their first album) has done them well. With bassist Jeff Berrall, guitarist Mod, and drummer Kevin McAdams, the Gotham foursome have created an eclectic album that's more accessible to the masses and should garner them much-do notice. Garcia, an Argentinean with Motown roots, weaves his moody Bowie-esque voice amongst the musicians to create ambitious driving tunes, from the dance happy "Uh Oh Hello" (pure 80s music yet with today's sensibilities), to the cabaret of "Sirens," to the weaving musical tapestry of "Why," a musical stretch that doesn't quite reach it's zenith as the band probably had hoped for. So why push the envelope at all, in regards to their sound? Because they can. They're talented enough and if they record a few clinkers and put them on the album at least they're trying to expand themselves, both musically and technically, and one must give them at least credit for that.



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