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Kultur Shock

We've Come To Take Your Jobs Away
Koolarrow Records
Release: 10/10/2006

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Rated:


Review by:
J Sherrod

The question is not what I can say about this album, but how much I can praise it.

Kultur Shock's Koolarrow full-length debut, We've Come To Take Your Jobs Away has firmly secured a spot in my top three records of 2006 - and has a good chance of landing the top spot.

We've Come To Take Your Jobs Away is one of the most unique, refreshing, mind-blowing, diverse, non-catagorizable, well-put-together, all-around ass kickin' records I've had the honor of hearing in years! This CD is in a league of it's own - where it reigns as grand champion.

The multi-cultural band has members hailing from Bosnia, Bulgaria, Japan and the good 'ole USA, but they all came together in Seattle. They are signed to ex-Faith No More bassist Billy Gould's label. Gould himself produced the album.

Fusing musical styles ranging from Heavy Metal, Salsa, Ska, Reggae, Indian, Balkan Traditional, Arabic and Punk, amongst others, Kultur Shock have blended classic Middle Eastern/Euro-Turkish stylings with contemporary, edgy rock providing a treat for any listener's ears. To dissect this album and give a song-for-song description would take far too long, as all tracks are of equal greatness - there's not a weak one in the bunch. I'll just give you my favorites.

"God Is Busy" is energetic, funny and balls-to-the-wall rockin'. You can bang your head, shake your ass, move your hips or pound your fist in the air. Vocalist Srdjan "Gino" Yevdjevich says it all when he boasts, "God is busy, MAY I HELP YOU?!?!?" "Gino Loves You" is a hilarious song including the spoofing lyric, "Jesus Loves Me" while letting the listener know how Gino really feels about things.

My personal favorite is, hands-down, "Sarajevo," which to me is the epitome of greatness. Eastern European fiddle accompanies groove-heavy, distorted guitar rhythms and horns for a song that will find you on the dance floor either moshing or belly-dancing.

This album will probably never go multi-platinum, or even gold for that matter. Don't let the accolades presented to the large amounts of undeserving, mainstream, crap bands detour you from owning this gem. For this album to be compared to System Of A Down or Gogol Bordello (and other bands that mix Middle Eastern vibes into contemporary rock) is utter hogwash, those bands have never dreamed of having as much talent as Kultur Shock.

With micro-tonic vocals, ferocious grunts, powerful yells, tribal chants, polyrhythmic drumbeats, chaotic time signatures and tempo changes, a plethora of stringed instruments and storytelling lyrics, Kultur Shock take what's known as "World Music" to a whole new universe.

To sum it up, I dare say you aren't a true musician if you don't buy this album. It will be just as incredible and innovative in 2030 as it will be when it hits stores in October 2006. We've Come To Take Your Jobs Away is an album that should reside in History books.



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