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The Walkmen
Richard Swift
Talkdemonic


Clubhouse
Tempe, AZ
6/17/2006
By: Meagan Rockne


The Walkmen has been the soundtrack to my most menial tasks. Hamilton Leithauser has crooned about noisy neighbors as I put my laundry away. Paul Maroon has worked his fast-paced picking as I emulated his movements on my dirty dishes. The drums of Matt Barrick and the piano/organ combo of Walter Martin have accompanied me on trips to the grocery store to buy tomatoes and fruit popsicles.

I have taken The Walkmen for granted because I know that if I put any of their three albums on, I will listen to the whole thing. But after seeing them play live, I don't know if I'll be able to keep them as my token go-to album. I no longer think of their music as the very best background noise possible.

Opening the night was Talkdemonic - an instrumental violin and drummer duo from Portland, OR. It was good. It reminded me a little bit of Broken Social Scene's instrumental tracks mixed with Bell Orchestre.

Next up was Richard Swift. I didn't really know what to make of the band. It was my first time seeing them or even hearing the name for that matter. They kind of reminded me of Sam Roberts. That is if Sam Roberts was a band in the 1920's and played a clunky piano. They had a kind of alt- country, "I play music in the woods," indie sort of vibe.

The Walkmen did not disappoint - they even surpassed my expectations. I was expecting them to be a little more like background noise - so that I could have a conversation with my friends and still catch them play if my gaze went that way. But once they took to the stage and began that first song, I knew that my conversing ability was going to be limited to hoots and hollers and maybe the occasional "I love you!"

One thing I noticed about their live performance is their sound. On the album you can easily point out the drums, piano, bass and guitar. Sure, Hamilton's voice may be a little bit fuzzy but the instruments aren't; each one is audible on the album. With their live show it's a much better blend. Everything seems to wash into each other in a symphonic buzz with Hamilton's mumbly crooning giving his audience a subliminal message.

On the night that I saw them, I'm pretty sure it was to tell the audience to go crazy, which the audience did - at least one superfan in particular. The band seemed to take some delight in this overzealous fan, who jumped and sported the rock n roll horns through the entire set. It was an odd sight to see since the band and the fans alike are known for a cool demeanor.

I was in awe the entire night. Even when they played my least favorite songs like, "Wake Up" or "Emma, Get Me A Lemon," I wasn't bored. But their faster songs like, "The Rat," "Little House Of Savages" and "Thinking Of A Dream I Had" definitely contain more energy in live form. After seeing them live and seeing the energy that the band has on stage, I don't think that I will be able to go back using to their CDs as my background noise around the house.



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